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1.
Travelling down the A30, See the nearly home trees welcoming, Gathered together at Cookworthy Knapp Signpost nearly home. Nearly home we recognise, standing over us silent sentinels, Slender trunks irregular, signpost nearly home. The road sweeps on we gently rise, drive down over the border and then on to Cornwall’s ancient gateway, Lanson nearly home. The morning sun warms at our backs, Wakes the birds through the trees a-kindling, Feathered together at Cookworthy Knapp Signpost nearly home. Nearly home… The noon day sun stands high above, cast below the trees a-shadowing, Sheltered together at Cookworthy Knapp Signpost nearly home. Nearly home… The evening sun consumes our eyes, evening cloaks the trees a-darkening, Weathered together at Cookworthy Knapp Signpost nearly home. Nearly home… Onwards draws the A30, eyes left nod to the trees saluting, Ever together at Cookworthy Knapp Signpost nearly home. Nearly home… Lanson nearly home x3
2.
I walk the strandline in the rain The water droplets fill my eyes I know not how to love both lives The ocean calls me home again The children’s baths and dishes clean My fingers furrowed as tide-sculpt sand I know not how to love on land The sea my home of flashing green These apron strings this mermaid’s purse Their tendrils bind without reprieve I know not how to take my leave The limpet holds for better or worse The rippled pool the watery cave My soul echoes the depths therein I know not how to gain my skin To dive below the velvet wave This kitchen sink this unquenched thirst Yearn to escape the home and dry I know not how to say goodbye The rip tide pulls my heart will burst The rip tide pulls my heart will burst The rip tide pulls my heart will burst I know not how to say goodbye The rip tide pulls my heart will burst
3.
There was a maid who lived in Redruth in her youth ‘Til long in the tooth The neighbours thought her rather uncouth And they called her Gracey Briney Her hobnail boots and elegant dress cut a dash With an air of panache She wore a top hat and a moustache And they called her Gracey Briney She fought and she wrestled and drank with the boys Holding her own in the hubbub and noise Smoking a pipe with incredible poise They called her Gracey Briney A workhouse girl, young Gracey was sent to the mine Before she was nine She’d learned to keep the horses in line Raising kibble from the mineshaft A pregnancy, a change of perspective, the sound Of a girl underground Where women’s work had never been found Raising kibble from the mineshaft She fought… She left the mine and picked up a horse and a cart Delight in her heart To breathe the air and make a new start Taking cherries to the market
4.
What feeling can be found Connection can be bound To hold-fast our contested ground Grass bends before the breeze There’s clear air between the trees And the sun still rises, the sun still rises in the morning. What hearts and hands remain Familiar refrain Repeat again, again, and again Though dark, dense the cloud obscures The gilt crown of dawn endures And the sun still rises, the sun still rises in the morning. We yearn for something true Bad news is nothing new And grief has stricken all we do What consequence the lie When starlings expand the sky And the sun still rises, the sun still rises in the morning. What depths we go to soothe What lengths we go to prove Another justified move The tide takes one more lost cause The stones rattle grave applause And the sun still rises, the sun still rises in the morning. These pages heavy turned Another lesson learned And words can’t span the bridges burned Far beyond the page confines The gaps we left between our lines But the sun still rises, the sun still rises in the morning. The sun still rises, the sun still rises in the morning.
5.
What Changes 02:19
If everyone could have a job and every labourer thirty bob And jam and cream for tea If everyone could have roast duck and farmers never had bad luck How happy we would be What changes we would see How happy we would be If the rules were made by thee and me What changes we would see If doctors never charged for pills, and tailors never sent in bills And everything was free If bankers never hoarded wealth and loved their neighbours as themselves How happy we would be What changes… If Lloyd George could grow his ships, from cherry stones and apple pips And we were taxes free If old aged pensions could be found by simply digging in the ground How happy we would be What changes… If lovely woman had the vote, what blessing we would quickly soak What changes we would see The husband man would mind the kids, wash up the pots and saucepan lids While wife became M.P. What changes… What changes we would see How happy we would be If the world was run by thee and me What changes we would see

about

From the shore we journey inland: picking our way across the strandline we lift our eyes to the horizon line. As we journey, we appreciate that the everyday exists alongside the transcendental and the past, present and future are interwoven. We are called by the land and the sky along the paths well-worn and as yet untrodden towards and away from home.

credits

released December 1, 2023

Recorded Mixed Mastered by Rob Watson - Copse Corner Music Production

Art work - Kat Blockley

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Strandline Exeter, UK

Folk trio Strandline is a collaboration between songwriters Kat Blockley, Claude Lamon and Lizzie Pridmore, together creating a unique soundscape of rhythmic double bass and English's concertina interwoven with improvised violin and trumpet harmonies. the music is rooted in folk traditions of Devon and Cornwall, yet reveals tantalizing hints of jazz and world music . ... more

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